Thursday, February 19, 2009

"Expecting to Fly"


Loon goes on sale May 19.
Three months from today! 

The paperback galley proofs are in.  But for the cover and soft binding, they are identical to the actual book.  I received my copy the other day and can't put it down. It is a paralyzingly powerful feeling to know that this story will be told.    


Random House has sent out the first batch of galleys to over 100 media outlets (NY Times, Publishers Weekly, NPR, and everyone else you can imagine.)  

The marketing and publicity campaign will be focused on both print and electronic media with a heavy web presence as well. There will not be a formal book tour, but I will appear for signings at a number of venues after May 19 including the Army-Navy Club in Washington, DC. Watch this space for more information.

Product Description
A lyrical memoir of a prep school boy who creates his own path to higher learning: enlisting in the U.S. Marine Corps, fighting in Vietnam, and then studying at Harvard

Reviews
"The battle at Loon erupts suddenly and sucks you in. Like Jack McLean, you ask: what am I doing here? The answer is: you joined the Marines and now it's time to fight for your life. A gripping story of violence and dedication to survival."
---- Bing West, author of 
The Strongest Tribe
"LOON is a saga of an infantry Marine - the decision to enlist, the intensity of the recruit, mortal combat, and finally transition back to civilian life. This beautifully written story is a must read for all combat warriors, their families, and those interested in the turbulent times surrounding the Vietnam War."
----Col H.C. "Barney" Barnum, USMC (Ret), Medal of Honor Recipient

“[This] unique tale . . . is skillfully written and will be among the classic books written about the Vietnam War.”
—Jan Scruggs, Esq., Founder and President, Vietnam Veterans Memorial

Pre-order today.

Thank you for visiting.

Friday, February 13, 2009

A View From the Bridge

The downstream view from my daily walk across the George Washington Bridge evokes the horrific memory of 9/11.

That memory is now balanced by the wondrous hope created by Captain Sully Sullenberger.

I was on the bridge as Flight 1549 glided 500 feet above me last month on its way to water landing. 

The engines had shut down.  

There was no noise whatsoever.

I neither heard nor saw a thing. 

Thank goodness.

Thursday, February 12, 2009

Happy Birthday Martha


Welcome to the Big Three OH!

Friday, February 6, 2009

From Loon to "Loon" PART 5

This is the last in a five part series


When I returned home from Hong Kong, the contract was waiting. The details were numbingly legal, but the bas

I was only disappointed to hear that the publication date had been set for May 19, 2009 - well over a year away. RH sought to position Loon as a beach book, a summer read. They also wanted to be certain that it didn't get caught up in the media hysteria surrounding the Presidential election.



I was assigned an executive at Random House who was to shepherd Loon from manuscript to publication. The book now belonged to them, so the first time I had someone else on my team with a financial stake in the book's success. 

This was business. 

I understood business.

What were the next steps? 
  • Final editing. There were several minor areas that RH felt could be developed - a paragraph here, a chapter ending there. These were only suggestions, but they were right on every point. The changes were made.
  • Permissions. This required that I have written permission from anyone that I had quoted, cited, or mentioned in a potentially libelous way ("Would Sal Martucci, or his family see your humor in watching him get shot for venereal disease?") Several of these permissions required that I personally pay a royalty to the author (Lou Reed Music, for example.)
  • Cover design. I had always seen Loon as a coming of age story with broad age and gender appeal. Then again, it is a war story. How do we walk the line to create the cover we want that will be appealing to the broad segment of the market. I found the result to be incredible!
  • Copyediting. I had presented what I felt was a near perfect manuscript. What came back were pages of penciled scribble in a language akin to Navajo. The (suggested) corrections were editorial, grammatical, and contextual. Remember how in school you'd turn in a paper with perhaps a couple of soft points that you thought might skate by??!! Nothing missed the copyeditor.
Now, with three months to go before publication, I've been assigned a publicist who has a PhD in English and enough experience to position the book well in the media. At every turn, I have been amazed by professionalism of all with whom I have dealt. Now we again need your help.

We are beginning to plan a book tour, media events, and the like to assure a positive launch on May 19.


So many of you have been supportive of this effort. Thanks to your pre-order purchases, Loon is #219,116 on the Amazon best seller list (A Tale of Two Cities is 604,437). We’ve been as high as 89,000 and as low as over a million. (Editor's note - Loon has risen as high as 2,300 on Amazon and currently sits at 12,300.)

I am confident that Loon will be a #1 best seller. The grand young sons of Charlie Company have earned nothing less.


Please let me know of potential book signing venues (including your house,) media and literary that may be good targets for a favorable review.


Thank you for your support.

Thank you for visiting.

Semper Fidelis.


Thursday, February 5, 2009

From Loon to "Loon" PART 4

This is the fourth in a five part series



With the Loon manuscript now in the capable hands of my agent in New York, there was little for me to do but wait. Although she felt that there could be 8 or 10 publishers with an interest, she was careful to keep my lofty expectations in check. It was now about cash, marketing, and brand creation. Was there an audience out there for a topic that had a well earned reputation as a marketing graveyard - Vietnam?

Early in February 2008, I received word that we had two declinations. Although the comments were encouraging, the decisions were not. At the end of the month, days before leaving on a three week trip to visit my daughter and her family in Hong Kong, I called to see if there was any news.

"Well, sort of. We got a nibble from Random House."

I'd been in sales long enough to know that all big catches begin with a nibble. Success comes from keeping a fish on the line and reeling it in.

"A nibble," I responded. "Nibbles are good. Yes? I mean, nibbles are better than no nibbles, right?" I needed some hope here, something positive to dream about on a sixteen hour airplane ride.

"Yes, Jack. Nibbles are better than no nibbles."

So off I went to Hong Kong filled with hope. I told friends and family that I'd had a nibble from Random House. The response was enthusiastic. was ecstatic.

Random House!

I mean, literary insiders knew I had a great agent, but everybody in the world knew how great Random House was! Did I go through all of this just to get a nibble from Random House? No, but I had to admit that the feeling was incredible.


Three days into my trip, my cell phone rang. It was my agent informing me that Random House was going to make an offer for Loon.

Wednesday, February 4, 2009

From Loon to "Loon" PART 3

This is the third in a five part series


The long flight home from my daughter's wedding in Thailand had me warmly reflecting and eagerly anticipating all at once. It was a magnificent jumble of feelings. Hours after the plane landed, I placed the Loon manuscript in the mail to my new editor in Indiana and begin a vigil by the mail slot of my Georgetown home - so eager was I for any criticism that would make me a better writer and Loon a better book.

The first third of the manuscript returned a month later. It was peppered with pencil marks, littered with arrows going from here to there, and filled with editorial and grammatical commentary. It was like the return of a so-so term paper...on steroids. I soaked up every mark and executed her every suggestion. It was incredible. She was in my head as surely as if she were a protagonist in the filmBeing John Malkovich.

We plowed forward for months and months - all by mail. She'd have an idea - I'd think it was terrific. I'd come up with something and she'd know exactly where it belonged. It was just about the most fun I'd ever had. It was an extremely satisfying process.

Meanwhile, I had gotten another job and, although determined to make this one work, my heart and soul remained in Loon. Despite honest effort, I was again shown the door a year later.

That summer, as my second daughter was being married, my editor and I knew that we were close to a finished product. She would send new comments every couple of months for my review. I'd throw them in my car and head to the Outer Banks where a Vietnam buddy had given me the use of his beach house in which to write. Many stories emerged from this editing period that taught me much about myself both as a person and as a writer.

Midway through my tour in Vietnam, for example, I was given 5 days of R&R in Singapore. I wrote detailed pages about the days leading up to it and the first several hours. I then skipped ahead three days to write about a newspaper story I'd seen. I then skipped to the flight back to Vietnam. The comment that came back from Indiana about this chapter?

"Your public AND your editor want to know exactly what happened during those first three days!"

Ouch. Why go there? Doesn't the reader have an imagination?

But, as usual, she was right. I sat down and wrote about the first three days in detail and soon found myself laughing out loud at my memories. Her suggestion ignited some of my very best writing.

Among the casualties of the editing process were my letters home. On the first pass, some were removed and others severely edited. As time went on, however, most disappeared and were replaced by prose. Although the letters were excellent source documents, my editor was clear that the reader would want more of my current writing. The manuscript that began with over 100 letters, now had but four, with three written by others.

By the end of 2007, we agreed that the manuscript was ready again for my agent.  I took it to New York in January. The change from that which she had first seen exactly two years prior was palpable. She thought that there might now be a market, although Vietnam remained far off the national literary radar screen.
For the first time, Loon was out of my hands and into the marketplace. All involved agreed that it was a good story. All involved also agreed that it was very well written. It was now up to the market.

I had no job, was living full time above a friend's garage on the Outer Banks, but was at peace with both my accomplishment and my life.

Tuesday, February 3, 2009

From Loon to "Loon" PART 2

This is the second in a series of five blog reposts


By the summer of 2005, I had been writing what was to become Loon for nearly three years. It had been transformed from a compendium of 100 letters home into an almost-book with half as many letters and a correspondingly increasing amount of prose. I received positive feedback from friends, family, and even Washington DC military insiders. 

During that period, an incredible situation unfolded. Day by day, large thanks to the burgeoning internet, my former Vietnam buddies emerged from the woodwork. With them came floods of memories. We began to regularly get together, first in twos and threes then, over time, in greater numbers.


"Do you remember those three days in June 1968? Did that really happen?"

We listened to each other and cried, laughed, and argued.

"No, no, you shithead, that's not the way I remember it. Here's how it really happened..."

As each former comrade-in-arms emerged, the tears, the laughs, and the arguments continued anew. But over time the stories became clearer - even lucid. We gained access to unseen unit diaries, found actual rosters of the wounded, and poured over the names of the dead.

Oh, so many dead.

As I shared my letters with the new arrivals, I realized that I had created a record of our time in Vietnam. Few of the boys wrote letters home with content relevant to our actual activities. More often than not, this was intentional so as not to upset their families.

The letters found their way to the mother of one of our boys. She wrote to emotionally tell me that this was her first knowledge of the details of her son's life in Vietnam. That blew me away and reinforced my determination to keep writing, despite having neither a job nor a clue as to how such a book might become published.

I'd already been well introduced to one agent and, after a year of trying, struck out. I'd spent months working with a major military publisher and struck out again. But for the reinforcement of family, friends, and fellow Marines, I'm certain I could not have gone forward.

Seeing my discouragement during a down moment, a marine buddy laid it out.

"Listen to me Jack, this ain't just your story, this is our story. It belongs to all of Charlie Company and it must be told. You can write it. We can't. Get it? Now get off your ass and get this thing done."

I wonder if my writing career might have launched earlier had my mother ever given me such an admonition.

So, I kept writing and I kept networking. I wrote to publishers, agents, and authors. Most were around Washington where I was living at the time, but I also made several trips to New York. Soon I realized that it was important to have an agent and really important that she have a 212 area code.

My break came early in 2007.

Friends arranged a breakfast for me to meet a local newspaper reporter who was not only a former marine, but also the author of a well received book about the Vietnam era. I subsequently sent him excerpts of my writing which he then offered to share with his agent in New York.

Wow!

It still took nearly a year for me to wangle an appointment with the agent and even then she offered little encouragement. That being said, however, there I was on Bleaker Street in Greenwich Village talking with the head of one of New York's legendary literary agencies. We parted after 20 minutes. She asked that I send her the manuscript. She'd take a look when she had time.

No airplane was required for my return flight home to Washington.

Weeks passed. Months passed. No word.

My phone finally rang in early April. I was in Thailand attending my daughter's wedding.

"Jack? Have you considered retaining an editor? It may cost you."

An editor?

"Can you suggest someone?"

"Yes, I have someone in mind."

The editor suggested was a freelancer who had worked for Random House, had solid experience with war writing, was willing to take a look at the manuscript, and understood the big idea. Loon had evolved from a series of letters into a book about America in the mid 1960's. I was left to wonder how it was that my cell phone worked in Thailand.

And, the times were changing. As the population aged, there was increasing interest both the Vietnam War and America in the late 1960's. After five long years, it appeared that I might be in the right place at the right time.



The book needed help to get the interest of a major publisher. I was on the road.
It would take two more years to bring Loon to market, but in April 2007, I knew we had crossed the Rubicon.